New Objectivity and Expressionism
In Expressionism, it distorts daily life through several avenues: warping forms, dulling or brightening colors, or simply portraying impossible situations in which to frame the emotion they seek to portray. Overall, Expressionism deals in emotion and the metaphysical: curiosity, doubt, lust, and fury all inflict themselves on the surroundings first and foremost, shaping the world and thereby the mood of the painting.
In New Objectivity, however, the artist returns to the physical world first, exploring its subtleties from the perspective of one who seeks its indetectable details. In a sense, the artist is submitting to a greater force: reality. Rather than exerting their will upon the world they paint, they explore the will of the world as it already is, hoping to understand it, perhaps knowing they’re likely to fail.
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